Layla Zami is an innovative academic and artist working with words, music, performance, and video. Layla recently earned a Ph.D. from the Center for Transdisciplinary Gender Studies at Humboldt-University, Berlin, Germany. She was also a Visiting Research Scholar at Columbia University, and holds a bilingual M.A. from the Sciences Po Paris School of International Affairs.
Her transdisciplinary approach to research and teaching orbits around matters of dance / performance / corporeality; cultural memory / trauma; gender / sexuality; diaspora / race / migration; and space-time.
She presented her work in the form of lecture-performances, invited talks, screenings and workshops in the USA, France, Taiwan, Indonesia, Turkey, India, the UK and all across Germany.
Guest Speaker / Performer
Auditorium at Grimm-Zentrum, Berlin
Layla Zami is invited to open the international roundtable "Queer of Color Critique" at the conference
Race, Power, and Privilege in Academia, organized jointly by the Kennedy Institute of North American Studies (Freie Universität)
and the American Studies Department (Humboldt University).
Featuring special guest Oxana Chi with the live performance Killjoy
July 27th, 2017
at 4.45 pm
Here & Black Festival / Feministische Werkstatt
Layla Zami will perform at the Here & Black Festival organized by the Feministische Werkstatt. Opening the evening with spoken words and saxophone, she is also a special guest musician in Oxana Chi's Neferet iti performance.
Zwischenraum / Heliodrom Kulturarena des Theater R.A.B., Freiburg
July 13th, 2017
at 7 pm
Talk in Finland
Layla Zami will present a paper at the Sixth Biennial Network Conference, organised by the University of Tampere and the international research network Afroeuropeans – Black Cultures and Identities in Europe. The talk, entitled Afropean Moves: Black European languages of ResistDance, includes a short live performance by Oxana Chi.
University of Tampere, Finland,
6 - 8 July 2017
Tanzkunst als lebendige Erinnerung: Oxana Chis performative Erinnerung an Tatjana Barbakoff
In Neues Judentum – altes Erinnern? Zeiträume des Gedenkens, edited by Dimitrij Belkin, Lara Hensch, and Eva Lezzi, Hentrich&Hentrich / ELES, 2017, pp. 267–288.
A new anthology on Jewish perspectives on the past, present and future of memory in Europe, launching a new publication series. Blending theoretical analysis, literary essay and research diary, my essay focuses on the dance piece Through Gardens choreographed and performed by Oxana Chi in memory of Tatjana Barbakoff. I wrote it during my time as a Doctoral Fellow from the Ernst-Ludwig-Ehrlich-Studienwerk (ELES) Foundation.